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	<title>r a d i u s e n s e m b l e . o r g</title>
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	<link>http://radiusensemble.org</link>
	<description>Reinvigorating classical music for a new generation</description>
	<lastBuildDate>Fri, 10 May 2013 18:12:22 +0000</lastBuildDate>
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	<itunes:summary>Live concert recordings of eclectic chamber music from our subscription series at the Longy School of Music in Cambridge, Massachusetts</itunes:summary>
	<itunes:author>Radius Ensemble</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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	<itunes:owner>
		<itunes:name>Radius Ensemble</itunes:name>
		<itunes:email>radius@radiusensemble.org</itunes:email>
	</itunes:owner>
	<managingEditor>radius@radiusensemble.org (Radius Ensemble)</managingEditor>
	<copyright>&#xA9; 2010-2013 Radius Ensemble, Inc.</copyright>
	<itunes:subtitle>Jennifer Montbach, Artistic Director</itunes:subtitle>
	<itunes:keywords>classical, chamber, music, boston, cambridge, montbach</itunes:keywords>
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		<title>r a d i u s e n s e m b l e . o r g</title>
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	<itunes:category text="Music" />
		<item>
		<title>Dress Rehearsal</title>
		<link>http://radiusensemble.org/archives/3235</link>
		<comments>http://radiusensemble.org/archives/3235#comments</comments>
		<pubDate>Fri, 10 May 2013 18:12:22 +0000</pubDate>
		<dc:creator>radius</dc:creator>
				<category><![CDATA[news]]></category>

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		<description><![CDATA[Dress rehearsal in Pickman this morning for tomorrow&#8217;s concert. Flutist Sarah Brady works with composer (and Longy faculty member) John Morrison on his Lonesome Whistle for solo flute. Katherine Winterstein and Miriam Bolkosky rehearse the Mozart duo in B-flat. GET TICKETS]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rehearsing Jamu</title>
		<link>http://radiusensemble.org/archives/3227</link>
		<comments>http://radiusensemble.org/archives/3227#comments</comments>
		<pubDate>Thu, 09 May 2013 20:16:00 +0000</pubDate>
		<dc:creator>radius</dc:creator>
				<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://radiusensemble.org/?p=3227</guid>
		<description><![CDATA[Just over 48 hours till the premiere of Christine Southworth&#8217;s JAMU.  Here is Christine listening to the rehearsal, with Evan Ziporyn conducting Radius members and seven musicians from MIT&#8217;s Gamelan Galak Tika at the Endicott World Music room at MIT Wednesday evening.]]></description>
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		<title>Lonesome Whistle</title>
		<link>http://radiusensemble.org/archives/3223</link>
		<comments>http://radiusensemble.org/archives/3223#comments</comments>
		<pubDate>Thu, 09 May 2013 13:27:35 +0000</pubDate>
		<dc:creator>radius</dc:creator>
				<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://radiusensemble.org/?p=3223</guid>
		<description><![CDATA[The namesake of Lonesome Whistle, for solo flute, is a song written in 1951 by country legend Hank Williams. It also refers to a shared love between Morrison, and flutist Linda Toote, for the extended technique (which describes any non-traditional method of producing unique sounds and tones from a traditional instrument) called the whistle tone. [...]]]></description>
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		<item>
		<title>Jamu</title>
		<link>http://radiusensemble.org/archives/3219</link>
		<comments>http://radiusensemble.org/archives/3219#comments</comments>
		<pubDate>Wed, 08 May 2013 13:00:46 +0000</pubDate>
		<dc:creator>radius</dc:creator>
				<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://radiusensemble.org/?p=3219</guid>
		<description><![CDATA[Christine Southworth (b. 1978) is a composer based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to [...]]]></description>
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		</item>
		<item>
		<title>Harbison&#8217;s Winds</title>
		<link>http://radiusensemble.org/archives/3210</link>
		<comments>http://radiusensemble.org/archives/3210#comments</comments>
		<pubDate>Tue, 07 May 2013 14:20:37 +0000</pubDate>
		<dc:creator>radius</dc:creator>
				<category><![CDATA[program notes]]></category>

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		<description><![CDATA[The story of music history is an interweaving of inspiration, creativity, and technological advancement. John Harbison has noted, “Ever since Marsyas, a flute-playing satyr engaged in competition with the string player Apollo, was flayed alive for being unable to sing and play at the same time, wind players have been sentenced to forage in a [...]]]></description>
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		<title>Podcast: Legacy</title>
		<link>http://radiusensemble.org/archives/3129</link>
		<comments>http://radiusensemble.org/archives/3129#comments</comments>
		<pubDate>Wed, 03 Apr 2013 17:37:06 +0000</pubDate>
		<dc:creator>radius</dc:creator>
				<category><![CDATA[podcast]]></category>

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		<description><![CDATA[Recorded LIVE on Saturday, March 2, 2013 at Pickman Hall, Longy School of Music IBERT – Entr’acte for oboe and guitar HETTRICK – Disputatio Magna for horn, cello and piano COPLAND – Threnody I and II for flute and strings BEETHOVEN – Septet for winds and strings, Op. 20 Sarah Bob, piano Miriam Bolkosky, cello [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<itunes:subtitle>Recorded LIVE on Saturday, March 2, 2013 at Pickman Hall, Longy School of Music - IBERT – Entr’acte for oboe and guitar HETTRICK – Disputatio Magna for horn, cello and piano COPLAND – Threnody I and II for flute and strings </itunes:subtitle>
		<itunes:summary>Recorded LIVE on Saturday, March 2, 2013 at Pickman Hall, Longy School of Music

IBERT – Entr’acte for oboe and guitar
HETTRICK – Disputatio Magna for horn, cello and piano
COPLAND – Threnody I and II for flute and strings
BEETHOVEN – Septet for winds and strings, Op. 20

Sarah Bob, piano
Miriam Bolkosky, cello
Sarah Brady, flute
Sebastian Chaves, bassoon
Eran Egozy, clarinet
Anne Howarth, horn
Jae Young Cosmos Lee, violin
Jennifer Montbach, oboe
Frank Shaw, viola
Bebo Shiu, bass
Maarten Stragier, guitar

Let us know what you think! Leave a comment on Facebook or send us email.</itunes:summary>
		<itunes:author>Radius Ensemble</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>1:15:47</itunes:duration>
	</item>
		<item>
		<title>Legacy</title>
		<link>http://radiusensemble.org/archives/3109</link>
		<comments>http://radiusensemble.org/archives/3109#comments</comments>
		<pubDate>Tue, 05 Mar 2013 17:09:31 +0000</pubDate>
		<dc:creator>radius</dc:creator>
				<category><![CDATA[reviews]]></category>

		<guid isPermaLink="false">http://radiusensemble.org/?p=3109</guid>
		<description><![CDATA[There were no reviewers at our March 2 concert, but we had a full house!  Don&#8217;t miss our season finale, ALCHEMY, on May 11.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beethoven Septet</title>
		<link>http://radiusensemble.org/archives/3104</link>
		<comments>http://radiusensemble.org/archives/3104#comments</comments>
		<pubDate>Wed, 27 Feb 2013 23:51:40 +0000</pubDate>
		<dc:creator>radius</dc:creator>
				<category><![CDATA[program notes]]></category>

		<guid isPermaLink="false">http://radiusensemble.org/?p=3104</guid>
		<description><![CDATA[By the time Beethoven composed his Septet in E-flat major between 1799-1800, on the cusp of turning thirty, he had cemented his place in Vienna as one of the premiere pianists and composers—a notable achievement in a city swarming with 300 pianists, all vying for superiority. (Between 1799-1800 Beethoven triumphed in several “duels” against the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Entr&#8217;Acte</title>
		<link>http://radiusensemble.org/archives/3099</link>
		<comments>http://radiusensemble.org/archives/3099#comments</comments>
		<pubDate>Tue, 26 Feb 2013 20:36:41 +0000</pubDate>
		<dc:creator>radius</dc:creator>
				<category><![CDATA[program notes]]></category>

		<guid isPermaLink="false">http://radiusensemble.org/?p=3099</guid>
		<description><![CDATA[Popularly overshadowed by his countrymen (Debussy, Satie, Ravel), Jacques Ibert has yet to receive due attention in the years following his death. A composer of pronounced versatility, he rose to prominence alongside members of “Les Six” (Poulenc, Honegger, Milhaud, Tailleferre, Auric, and Durey), and was awarded the coveted Prix de Rome from the Paris Conservatoire. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Disputatio Magna</title>
		<link>http://radiusensemble.org/archives/3093</link>
		<comments>http://radiusensemble.org/archives/3093#comments</comments>
		<pubDate>Mon, 25 Feb 2013 15:38:48 +0000</pubDate>
		<dc:creator>radius</dc:creator>
				<category><![CDATA[program notes]]></category>

		<guid isPermaLink="false">http://radiusensemble.org/?p=3093</guid>
		<description><![CDATA[What is life without adversity? Even though conflict might make us uncomfortable, it is an unavoidable part of life. At the time I was writing this piece, our country was caught up in the razzle-dazzle of the presidential election. Watching the candidates debate, I took time to reflect on the nature of conflict and debate. [...]]]></description>
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